Pencil, Bulletproof black ink, water soluble crayons, acrylics, acrylic inks and watercolor on an 11×14 Canson mixed media pad. 3 March 2013. Windham, Maine.
This sketch is the first rough study of the illustration I envision for my sci-fi short story, Blame, which is based on a dream I had in the late 1990s.
First, I did a cut and paste Photoshop file and the more I look at it, the more I think that it should be the illustration not something I draw or paint. But, I love drooling over the depression glass pieces and think it would be fun to include portraits of the “lunar delicacies” I have in my own china cabinets in the eventual painting.
For me, in this case, it’s more process than product. I can’t wait to set up some of the glassware my mother gave me and start drawing and painting them.
Acrylics on 8×10″ canvas board. There are probably a half-dozen abandoned, gessoed over paintings under this one. Windham, ME. 2 March 2013
Still feeling my way around with acrylic paints — I started this right after gessoing over an awful self-portrait. It was dusk outside and the clouds were striated and slightly illuminated (from God knows what, we haven’t really seen a sunset in days!) This started out being a “serious” study of the poplars on the Presumpscot River bank behind the house, but then I added the moon and it evolved into an earth-like planet.
I wrote a sci-fi short story called “Blame” which stemmed from a dream I had years ago where I was stranded on the Moon (yes, that was some dream…) and was sifting through piles of beautiful depression glass. In the dream, I could see the Earth looming in space but the piles of sugary glass were even more compelling. Hmmm. Maybe my next not-so-serious study subject?
WIP 25 Feb., 2013: Acrylics on 9×12″ canvas board.
Working out my winter-blues demons with my tiny watercolor portrait last week was incredibly productive for me. It shook me out of my doldrums, spawned several productive studio days — now I find myself itching to branch out further and signed up for a Strathmore multi-media instructional art workshop. After I signed up, I thought I’d better reacquaint myself with my rather neglected collection of acrylic paints. Initially, I’d set up a rather ho-hum still life. Bleh, no fruit or household objects, please! Since I’d learned so much from my little watercolor self portrait revelation, I again turned to my mirror for a handy subject.
This work-in-progress shows about three hours of fiddling. I’d dreamed of big swaths of brushstrokes and thick, buttery paint … the opposite of my effort. Yes, there are primitive stabs at technique, nearly fatal proportion problems here and, ugh, I have portrayed my eyes as flat and too small. Something I didn’t omit, however, was my brilliant fledgling set of Gramma jowls; looks like I exaggerated them, instead.
Ach, unless I spontaneously burst into an interesting new rhythm with my approach, this strange “selfie” will likely be covered in gesso after a few more hours of fiddling.