Miyoho serves food and beverage to the entire shuttle crew en route to Kaguya Lunar Station.
Micron Pigma pen, watercolor on random scrap of paper, glued into the approx. 8×8″ hand bound journal filled with Strathmore 500 Series mixed media paper and Canson Mi-Teintes paper.
My participation in the International Fake Journal Month has consumed me. My creative sketching and painting energy is all wrapped up in my hand-bound fake journal where young Hoshi Banks, a college engineering student, has taken an internship position on the Moon. At “present” she is on a shuttle, about to orbit the Moon and descend to the Japanese Lunar surface station Kaguya. Hoshi has been sleeping quite a bit on this journey, the reasons for which she is (finally) becoming suspicious. There are three other interns in the program and Hoshi is growing desperate to tell them she thinks the aerospace corporation which has organized this expedition to Kaguya is not what it seems! I wonder what lies in store for them on the Moon?
Have a look through the pages of my fake journal, Kaguya’s Gift, and let me know what you think! Maybe you will want to participate next year?
Click here to learn more about International Fake Journal Month, created by Roz Stendahl.
From last fall’s TV sketching obsession, this is CW’s Supernatural Archangel Castiel in the midst of smiting the devilish Crowley with his laser-blue eyes. Noodler’s Bulletproof Black and watercolor on 11×14″ Canson Mixed Media Pad. 14 Nov. 2012.
Last night, I just couldn’t fall asleep. Tossed, turned, counted backward from 100 several times and never once nodded off. Oh, I was tired enough to sleep. Yes, I was. And no, I didn’t consume caffeine or the like after noon yesterday. What I did was teach an early evening yoga class that ended at 7:30 p.m. Sleeplessness after teaching has happened to me before. I also get this skimming consciousness after practicing a pranayama, or breathing exercise, called Nadi Shodhana. I’ve casually queried my yogini friends and nobody else admits to this experience. Maybe this was a spontaneous Yoga Nidra experience? Naaaa. I feel refreshed and alert after Yoga Nidra, quite the opposite of how I feel at the moment.
Today I will have to endure feeling … and looking … like this sketch of poor old red-eyed, dry-lipped and sleep-deprived Castiel.
Pencil, Bulletproof black ink, water soluble crayons, acrylics, acrylic inks and watercolor on an 11×14 Canson mixed media pad. 3 March 2013. Windham, Maine.
This sketch is the first rough study of the illustration I envision for my sci-fi short story, Blame, which is based on a dream I had in the late 1990s.
First, I did a cut and paste Photoshop file and the more I look at it, the more I think that it should be the illustration not something I draw or paint. But, I love drooling over the depression glass pieces and think it would be fun to include portraits of the “lunar delicacies” I have in my own china cabinets in the eventual painting.
For me, in this case, it’s more process than product. I can’t wait to set up some of the glassware my mother gave me and start drawing and painting them.
Acrylics on 8×10″ canvas board. There are probably a half-dozen abandoned, gessoed over paintings under this one. Windham, ME. 2 March 2013
Still feeling my way around with acrylic paints — I started this right after gessoing over an awful self-portrait. It was dusk outside and the clouds were striated and slightly illuminated (from God knows what, we haven’t really seen a sunset in days!) This started out being a “serious” study of the poplars on the Presumpscot River bank behind the house, but then I added the moon and it evolved into an earth-like planet.
I wrote a sci-fi short story called “Blame” which stemmed from a dream I had years ago where I was stranded on the Moon (yes, that was some dream…) and was sifting through piles of beautiful depression glass. In the dream, I could see the Earth looming in space but the piles of sugary glass were even more compelling. Hmmm. Maybe my next not-so-serious study subject?
Michael, Fringe’s Child Observer, just before he undergoes a brain link with Walter. Season 5, Ep. 10, “Anomaly XB-6783746” • Noodler’s Bulletproof Black, PPBP, Schmincke gouache on 400 series Strathmore hardbound sketchbook. 12/26/12
Still on my Fringe binge and savoring the speculation on which answers to the myriad conundrums that the final episode will actually reveal. When it is finished, I will certainly miss Fringe’s characters and the outrageous yet believable future fiction. The prospect of a glossy movie deal for these actors sounds wonderful for them, but the plot would raise a thousand new questions which I doubt they would answer by the end of the film. Such a fantastic tease, entertainment!
After Fringe’s finale, I will move solemnly onward, in search of my next guilty pleasure television sketch fixation. Until then, I will sketch during the final show and watch it again (and again) over the weekend — keeping the episode on the dvr until satisfied that I have wrung a drawing from every sketch worthy scene.
Walter Bishop examines “Tech” on Fox’s TV show Fringe. Watercolor, Noodler’s Bulletproof Black ink on a Strathmore 400 Series hardbound sketchbook (not intended for water media: buckled and pleasantly crinkly now!)
What, three months since my last Sketch blog entry? I’ve been gobbling up other people’s blogging and sketching regularly, just not posting. Maybe a New Year’s resolution is in order. In fact, it’s been so long since I’ve uploaded a photo, the upload process has been streamlined and upgraded and is running really slick — seems there are perks for slackers like me.
This sketch of Fringe’s quirky character Walter Bishop happened because of the way his eye enlarged when he passed the magnifying glass in front of it. Perfect! I wish there was a way for me to sketch his voice: what a melodious sound. It makes me feel contented somehow to be “busy” making a sketch while watching TV. I like to think of it as the lazy woman’s method of multitasking, except neither watching television or sketching are really tasks, are they? Maybe it’s my way of justifying sitting on my arse for a certain period of time just letting everything else fall by the wayside. Instead of pausing the show, my favorite technique is to snap photos with either iPad or phone then when the photos appear on my photo stream they are readily available for me to study. (Hitting the pause button during the show causes a big pause bar and Time Warner logo to come up and that blocks out the bottom third of the screen.)
For my noble TV sketching efforts, I am using a lovely Strathmore 400 series hardbound notebook that Mom gave me for my birthday in October. It’s got around 25 sketches in it so far. I had started sketching screenshots in my huge 11×14 Canson multimedia XL notebook (what lovely paper!) but it’s too heavy to travel with, hence the perfect and timely birthday gift. Once the Strathmore is full, I’ll be moving my “multitasking” back into the Canson, for sure.